By late 1958, Davis employed one of the best and most profitable working bands pursuing the hard bop style. His personnel had become stable: alto saxophonist Cannonball Adderley, tenor saxophonist John Coltrane, pianist Bill Evans, long-serving bassist Paul Chambers, and drummer Jimmy Cobb. You don't have to worry about changes and you can do more with the [melody] line. For the last time, Miles called back the pianist who had just left his quintet, and it was Evans’ harmonic conceptions, inspired by early 20th century European music, that dominated Kind Of Blue. Miles said that he had wanted to draw closer to African and Gospel music as well as the blues, but admitted that he had failed in this intention. New Submission
Only 18 left in stock (more on the way). C'est la 2e qu'il faut absolument prendre, surtout que les prix sont quasiment similaires. Deux rééditions sont couramment rencontrées : celle-ci, fabriquée par DOL, qui est une société russe pressant ses disques en république tchèque et une autre, Columbia, propriété actuelle de Sony. Miles Davis LP Kind of blue. FREE Shipping. Wynton Kelly, the group’s new pianist, only appeared once, on “Freddie Freeloader,” and was stung sharply by this affront: the ultimate touch of bright red to heighten the depth of the blue.Original issue: Columbia LP CS 8163 on August 17, 1959LEGACY and the "L Legacy" logo are registered trademarks of Sony Music Entertainment.Smooth move, exclusive deals and updates are coming soon! As described in the original liner notes by pianist Bill Evans, Davis had only given the band sketches of scales and melody lines on which to improvise.Modal jazz was not unique to this album.
Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album.To be reductive, it's the Citizen Kane of jazz -- an accepted work of greatness that's innovative and entertaining. C'est la 2e qu'il faut absolument prendre, … "The liner notes list Davis as author of all compositions, but many scholars and fans believe that Bill Evans wrote part or the whole of "Blue in Green" and "Flamenco Sketches".The album's influence has reached beyond jazz, as musicians of such genres as rock and Late in his life, from the electric period on, Davis repeatedly disregarded his earlier work, such as the music of Interview to Shirley Horn. What is this strange blue glow—as mysterious as Mona Lisa’s smile? Miles Davis LP Kind of blue. In part owing to Evans' joini… Past the obi everything is (presumably) the same as the UK release, as there's no indication of being produced for the Japanese market 5 tracks (41:01).
He also borrowed from Bill Evans, the principal creator of this album, the kind of blue that is reflected in “Blue In Green.” For the last time, Miles called back the pianist who had just left his quintet, and it was Evans’ harmonic conceptions, inspired by early 20th century European music, that dominated Kind Of Blue. Kind of Blue è un album realizzato da Miles Davis nel 1959 ed entrato nella storia del jazz, essendo fra i più venduti di sempre ed uno dei primi esempi di modal jazz.Ha raggiunto la settima posizione in classifica in Spagna e la decima nella Jazz Albums.
Kind of Blue —en español: Una especie de tristeza o algún tipo de tristeza— es un álbum de estudio del músico estadounidense de jazz Miles Davis editado en 1959.. La grabación tuvo lugar en el 30th Street Studio de la Columbia Records en la ciudad de Nueva York en apenas diez horas repartidas en dos días, el 2 de marzo y el 22 de abril de 1959.
Miles Davis – Kind Of Blue Label: Not Now Music ... Written-By – Miles Davis; Notes Seemingly identical to the UK Not Now release, but sold in Japan with a Japanese-language obi. I think a movement in jazz is beginning away from the conventional string of chords ... there will be fewer chords but infinite possibilities as to what to do with them.Bill Evans wrote in the LP liner notes, "Miles conceived these settings only hours before the recording dates. The album features Davis's ensemble sextet consisting of saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kellyappearing on one track in place of Evans. Seemingly identical to the UK Not Now release, but sold in Japan with a Japanese-language obi. By late 1958, Davis employed one of the most acclaimed and profitable working bands pursuing the As was Davis's penchant, he called for almost no rehearsal and the musicians had little idea what they were to record.