Guilty, helpless, lost were we; blameless Lamb of God was he, sacrificed to set us free: Hallelujah, what a Savior! Please consider white-listing Hymnary.org or 52: 13-53: 12).

The full text draws on that prophetic vision and on the gospel narratives of Christ's crucifixion and atoning death. I imagine what it was like at that very moment on the cross... all that He went through... And I gives me this joy and a feeling of assurance. The full text draws on that prophetic vision and on the gospel narratives of Christ's crucifixion and atoning death. They also made a really wonderful addition to the hymn by singing the refrain “Alleluia” (This hymn of redemption can be used throughout the Liturgical year. If this score will be projected or included in a bulletin, usage must be reported to a licensing agent (e.g. Added to 62 users' list Bearing shame and scoffing rude, in my place condemned he stood, sealed my pardon with his blood: Hallelujah, what a Savior! He was converted at a revival meeting at age twelve. Help me to live daily for you”This song puts me in a state of contrition each time I sing or hear others sing it. Bearing shame and scoffing rude, C G D. in my place condemned he stood, G C Man of Sorrows! Man of Sorrows was first published in The International Lessons Monthly of 1875 with the title “Redemption.” The hymn is also sometimes referred to as Hallelujah!

Each stanza concludes with an "alleluia" to so great a Savior.Bliss left home as a young boy to make a living by working on farms and in lumber camps, all while trying to continue his schooling. You took away death that was ours and you gave us your life. C G D. for the Son of God, who came. While much of the text affirms objectively the redemptive work of Christ, stanza 2 makes a very personal confession (like 386): "in my place condemned he stood, sealed my pardon with his blood." "It is finished, was...." It is very humbling to know what Christ underwent for our own sake! !Those who write hymns and songs like this are truly inspired by God. Philip Bliss, who also wrote O How I Love Jesus and It Is Well With My Soul, wrote this hymn near the end of his life.

“Lord, I thank you for the cross; that you didn’t shy away from suffering such shame for my sake. For the last two years of his life Bliss traveled with Major D. W. Whittle and led the music at revival meetings in the Midwest and Southern United States. It seems as though God had prepared it for the great jubilee of heaven, when all His children shall have been gathered home to sing ‘Hallelujah to the Lamb!’"(Sankey, This general idea is reflected in an experience while at Taizé, an ecumenical community in France: During one evening prayer service, we had turned around to face the center for the Gospel reading, after which we sang the Taizé song, “Bliss’ text has not been altered much in any modern hymnal. Man of sorrows what a name for the Son of God, who came ruined sinners to reclaim: Hallelujah, what a Savior! Are parts of this score outside of your desired range? The second verse focuses on our personal confession, and the third on our sinfulness and failures as a people. Man of sorrows what a name. Whenever I listen to this song, Isaiah 53 comes to my remembrance and I see myself operating in the realm of love. Bliss and Ira D. Sankey (Ira Sankey, a good friend of Philip Bliss, the author of this hymn, wrote this about Bliss’ text: “It is said that the word ‘Hallelujah’ is the same in all languages. 3. Ad revenue helps keep us running.

"Man of Sorrows" is a reference to the prophet Isaiah's depiction of the "suffering servant" (Isa. G Em D/F#. The world would have become a place of hopelessness as the lake of fire would be a constant in humanity but here comes the greatest gift ever (THE GIFT OF FULL REDEMPTION)Woke up this morning with this song on my mind and I just had to look for it and sing. “Man of Sorrows,” what a name For the Son of God who came Ruined sinners to reclaim! The nature of verses three and four make it especially fitting for Lent and Easter. Hallelujah, we get to worship an awesome Man, Slave, King and glorious God named Jesus!Jesus Christ has redeemed me with His precious blood... what a Savior. While much of the text affirms objectively the redemptive work of Christ, stanza 2 makes a very personal confession (like 386): "in my place condemned he stood, sealed my pardon with his … G C. ruined sinners to reclaim: G D C D/F#. Hallelujah, what a Savior! What a Savior and Gethsemane. He is coming, the “Man of Sorrows,” Now exalted on high; He is coming with loud hosannas, In the clouds of the sky. His first song was published in 1864, and in 1868 Dwight L. Moody advised him to become a singing evangelist. Some make a modification on the melody in the second line: instead of jumping up a fourth from “Son” to “of”, some artists go down a step and then jump back to the dominant for the rest of the line. If you do sing this during Lent, be sure to leave out the “Hallelujah” refrain so as not to take away the power of Easter morning’s “Alleluias!” The hymn is also an excellent candidate for Communion throughout the year.During Lent you may want to try Larry Shackley's choral arrangement A separate copy of this score must be purchased for each choir member.

Philip P. Bliss (b. Clearfield County, PA, 1838; d. Ashtabula, OH, 1876) wrote both text and tune of this hymn that was published in "Man of Sorrows" is a reference to the prophet Isaiah's depiction of the "suffering servant" (Isa. Bliss became an itinerant music teacher, making house calls on horseback during the winter, and during the summer attending the Normal Academy of Music in Genesco, New York.