A contemporary of William Shakespeare, he is best known for his satirical plays, particularly Benjamin Jonson was an English Renaissance dramatist, poet and actor. Epicœne, or The Silent Woman, also known as Epicene, is a comedy by Renaissance playwright Ben Jonson. One of the best farces ever. It was, by Jonson's admission, a failure on its first presentation; however, John Dryden and others championed it, and after the Restoration it was frequently revived—indeed, a reference by Samuel Pepys to a performance on 6 July 1660 places it among the first plays legally performed after Charles II's ascension.The numerical value of epicœne, or the silent woman in Chaldean Numerology is: The numerical value of epicœne, or the silent woman in Pythagorean Numerology is: We're doing our best to make sure our content is useful, accurate and safe.Thanks for your vote!

Epicœne, or The silent woman, also known as The Epicene, is a comedy by Renaissance playwright Ben Jonson. Phrases related to: epicœne, or the silent woman Yee yee! Morose is a wealthy old man with an obsessive hatred of noise, going as far as to live on a street too narrow for carts to pass and make noise. Urban playboy, Dauphine, wants his peaceand- quiet-loving Uncle Morose’s fortune and hatches an elaborate plan to get it. I would approach him on woolen clad feet and invite him to use his eyes.

The penultimate scene with the Latin probably had the most merit in terms of comedic value. And did those dubious knights "know" a boy or were they simply shameful liars? Ben Jonson's Epicoene, or The Silent Woman, was first staged in late 1609, or early 1610. Admittedly, Morose's aversion to noise and the subsequent attempts to terrorize him with trumpets and the like are amusing, but not enough to make up for the fact that this play is hard to follow, rarely funny, and tailored to a specific audience thI always want to like Jonson - he was such a badass - but I usually find myself disappointed with his plays and their concern with manners, overwrought humor, and general insider-joke-ness (a word that will not be showing up in the OED anytime soon). It is revealed as a stratagem, a successful one, by which Dauphine ensures that he will inherit his uncle's estate.

Morose is dismissed harshly, and the other ludicrous characters are discomfited by this revelation; Daw and Foole, for instance, had claimed to have slept with Epicœne. Meaning of epicœne, or the silent woman. While the play’s culminating shock of the revelation of identity looks forward to the similar—if far more incendiary and explicit—disclosure in One interesting historical influence on the play concerns the reaction to its original production by one Lady Arabella Stuart who infamous complained that

INTRODUCTION. It is essentially a comedy with an element of sexual wit, and yet it has a surprise ending, one that is markedly non-comedic and leaves a bitter taste. Finally, Dauphine promises to reveal grounds to end the marriage if Morose agrees to give him his inheritance.

This comedy invites us to speculate as well and divise our own divergencies and conclusions.Jonson's formal finesse, and superb good humour, exquisitely tempered with biting satire, whose subjects are, contrary to the quibbles of historicists, and not too finely cultured fellow reviewers here, rather universal tendencies of an all too human vanity, are on full display in what has been called by Dryden as "the greatest and most noble of any pure unmixed comedy in any language"; and indeed, upon having read Epicoene, apart from the pristine plots of Terence, one cannot call to mind, exceJonson's formal finesse, and superb good humour, exquisitely tempered with biting satire, whose subjects are, contrary to the quibbles of historicists, and not too finely cultured fellow reviewers here, rather universal tendencies of an all too human vanity, are on full display in what has been called by Dryden as "the greatest and most noble of any pure unmixed comedy in any language"; and indeed, upon having read Epicoene, apart from the pristine plots of Terence, one cannot call to mind, except perhaps Jonson's own Volpone, a more finely wrought theatrical comedy. Got a chuckle even at the end because of the removal of the divide between audience and play; however,Although it sometimes felt a bit dragged out, this was a lovely comedy, and it would've been even lovelier were I to understand even a tenth of it because of the intellectual humour. “Well, I perceive some thoughts of hidden joy” to which this tale invites us. Latin knowledge (or translatory notes) is a must, not even mentioning the classical references and themes all throughout, with which this play is brought to a higher amalgamation of classic and Renaissance culture. this section.