Although there’s no documentation of their first interaction, Colonna and Michelangelo met in the 1530s and went on to conduct one of the era’s most celebrated friendships. Born in either 1490 or 1492 to Roman nobility, Colonna was widowed in her thirties. File: /home/ah0ejbmyowku/public_html/application/controllers/Main.php
File: /home/ah0ejbmyowku/public_html/application/views/page/index.php Michel-Ange a rencontré Vittoria Childless Colonna expressed a concerned, motherly side when she wrote to a friend, asking him to lend the artist a monocle that would lessen his eye strain as he finished his frescoes at the Pauline Chapel.
Morbid, maybe. File: /home/ah0ejbmyowku/public_html/application/controllers/Main.phpMichelangelo, dalla spalliera di un divano spunta negli Usa una File: /home/ah0ejbmyowku/public_html/application/views/page/index.php File: /home/ah0ejbmyowku/public_html/application/controllers/Main.php Childless and extremely wealthy (her substantial dowry was returned to her after her husband’s death), she was, as Ramie Targoff writes in a new biography, Colonna, as one of the only female poets outside of the clergy at that time, penned sonnets that influenced generations of successive writers.
File: /home/ah0ejbmyowku/public_html/application/views/user/popup_modal.php Wikimedia Commons contiene immagini o altri file sulla Pietà per Vittoria Colonna; Collegamenti esterni [modifica | modifica wikitesto]. File: /home/ah0ejbmyowku/public_html/application/controllers/Main.php File: /home/ah0ejbmyowku/public_html/application/views/user/popup_modal.php In the Pietà made by Michelangelo for Vittoria Colonna a new category of art—the drawing made as a finished work and presented as a gift—became a privileged model for a conception of religious faith and divine grace promoted in the reforming circles with which both Michelangelo and Vittoria were associated. File: /home/ah0ejbmyowku/public_html/application/views/page/index.php “The way in which she’s using lyric poetry to write about her relationship with Christ is entirely new,” Dr. Abigail Brundin, chair of the faculty of modern and medieval languages at the University of Cambridge, told Artsy.
; Michelangelo, dalla spalliera di un divano spunta negli Usa una Pietà perduta, su ilmessaggero.it. Michelangelo had actually written affectionate poems to his beloved Tommaso dei Cavalieri, a nobleman; his nephew changed their subjects’ gender to avoid allegations that the artist was homosexual. Unsurprisingly, Brundin suggests that history was unkind to women writers of this period. Brundin cites a famous poem in which Colonna imagines herself writing. For her part, Colonna impacted Michelangelo’s life in far more significant ways than sitting for a portrait or sharing his bed.
Until the late 19th century, rumor had it that an Italian woman named Vittoria Colonna had served as Yet, the misinterpretation was far more insidious than mere trashy tabloid fare: It suggested the era’s rampant homophobia and relegated one of the most influential women of the Renaissance to a mere object of desire. So why don’t more people know about this influential Renaissance poet and patron? La pietà pour Vittoria Colonna est une craie noire dessinant sur carton (28,9 × 18,9 cm) de Michelangelo Buonarroti , datée d’environ 1538-1544 et conservée au musée Isabella Stewart Gardner à Boston.L'histoireMichelangelo a fait la connaissance de Vittoria Colonna (1492-1547, marquise de Pescara, femme noble et poète italienne) vers 1538.
File: /home/ah0ejbmyowku/public_html/application/views/user/popup_modal.php A celebrated poet, she influenced his ideas about religion, patronized his work, and served as one of his closest confidantes. URL consultato il 29 maggio 2011 (archiviato dall'url originale il 1º agosto 2012). File: /home/ah0ejbmyowku/public_html/application/controllers/Main.php